The Root Locus
Raise K to land poles on the target damping line
This is the same plant K/(s(s+1)(s+2)) as F1. The blue curves are the root locus the closed-loop poles trace, and the gold × marks are the poles at the current gain K. The amber dashed line is the target damping ratio ζ = 0.5. When K is small the poles are spread along the real axis, over-damped. As K grows, two poles meet on the real axis and split (the breakaway), curving up and down into a complex pair. Land that complex pole exactly on the amber ζ = 0.5 line. Raise it further and at K = 6 the poles cross the imaginary axis into instability.
The path the poles trace
The closed-loop poles of a unit-feedback system are the roots of 1 + K·G(s) = 0, where G(s) = N(s)/D(s) is the open-loop transfer function. Rearranged, that is D(s) + K·N(s) = 0, so the roots change as the gain K varies. At K = 0 it is D(s) = 0, so the closed-loop poles start at the open-loop poles. As K goes to infinity, N(s) = 0 dominates and the poles converge to the open-loop zeros. When there are not enough zeros, the leftover branches run off to infinity. The whole trail the roots trace as K sweeps from zero to infinity is the root locus.
How to read the path
The root locus can be sketched by hand from a few rules. On the real axis, the locus exists only where the number of open-loop poles and zeros to the right of a point is odd; in this example that is between 0 and −1, and to the left of −2. The two branches starting at 0 and −1 approach each other, meet at the breakaway point, leave the real axis, and become a complex pair. With no zeros, all three branches go to infinity, along asymptotes that make ±60° and 180° with the real axis. And at some gain the complex branch crosses the imaginary axis; from there it is unstable. That crossing gain and frequency were exactly K = 6, s = ±j√2 from the Routh test of F1. The root locus and Routh point to the same boundary.
Placing poles to design the response
The real use of the root locus is design. As we saw in D5, a second-order transient is set by the dominant pole position, that is the damping ratio ζ and natural frequency ωn. A straight line through the origin in the s-plane means a constant ζ (the cosine of its angle from the real axis is ζ). So you draw the line for the ζ you want, find where that line meets the root locus, and the gain K that produces that point is your design value. That is exactly what the first screen had you do. But a third, unseen pole moves along too, so for the dominant complex pair to lead the response you also check that the third pole is far enough to the left. When proportional gain alone is not enough, the compensators to come bend the locus itself into the shape you want.
Back to the first screen
We followed the path that the closed-loop poles of the same plant as F1 trace on the s-plane as the gain K grows. When K was small the poles were spread along the real axis, over-damped; raising K made two poles meet at the breakaway and split into a complex pair, curving up and down. Landing that complex pole on the amber ζ = 0.5 line gave the design gain that balances speed and overshoot. Raising it further took the poles across the imaginary axis at K = 6 into instability, exactly the boundary Routh gave in F1. Where Routh handed us a single boundary point as a number, the root locus showed the whole path the gain traces, letting us design not just stability but the shape of the response.
The root locus is a time-domain design tool that places poles directly on the s-plane. But real systems often have an unknown exact transfer function, and instead you probe them with sine waves at many frequencies and measure the response. The next unit, the Bode plot, draws the gain and phase versus frequency as a sum of straight lines on logarithmic axes. Each pole and zero shows up as one bend in the broken line, so you can sketch the frequency response of a complicated transfer function by hand and also read it back out of measured data. Where the root locus saw the response through pole positions, the Bode plot sees the same system through frequency.