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Mechanical Vibrations

Not Tension but Stiffness — Beam Vibration

A beam vibrates by bending stiffness (EI), not tension; modes are not sines and frequencies not integer multiples (cantilever 1:6.27:17.5), f₁ ∝ √(EI/ρA)/L²

A string was restored by its tension, but a diving board or the end of a ruler springs back and vibrates with no tension at all — a bent beam straightening under its own bending stiffness (EI). A beam is a continuous system with infinitely many modes too, but unlike a string its frequencies are not integer multiples of the fundamental (inharmonic).

Pull the tip of a cantilever (fixed at one end, free at the other) and let go. With no tension at all, the bent beam straightens under its own bending stiffness and vibrates. String: tension; beam: stiffness — the restoring force comes from a different place.

What sets a beam's frequency? f₁ ∝ √(EIρA). Move the stiffness EI and length L. Length entered to the first power for a string, but to the second power for a beam — double the length and the frequency drops to a quarter. That is why long structures are so floppy.

Pick a higher mode. A beam's mode shapes are not sines but a characteristic curve that swings more toward the free end. And the frequency ratios are 1 : 6.27 : 17.5 — not integer multiples, unlike a string's 1 : 2 : 3. This inharmonicity is why a struck bar gives a "clang," not a clear pitch.

How you hold a beam's ends changes everything. Toggle cantilever (fixed-free), simply-supported (pinned-pinned), and free-free. For the same beam the fundamental coefficient jumps 3.5 → 9.9 → 22.4. A free-free beam is exactly a tuning fork or a xylophone bar.

The same bending vibration is everywhere. Flip through the examples — a diving board (cantilever), an aircraft wing (cantilever bending, flutter danger), a tuning fork and a xylophone bar (free-free, with overtones tuned for music). Knowing a beam's modes tells you what shakes and when it turns dangerous.

In PracticeA beam is a continuous system restored by bending stiffness (EI), not tension. It has infinitely many modes, but two things set it apart from a string. First, the mode shapes are not sines. Second, the frequencies are not integer multiples (inharmonic) — a cantilever runs 1 : 6.27 : 17.5. That is why a struck bar gives a pitchless "clang," while xylophones and tuning forks are carved to tune their overtones musically on purpose. The fundamental is f₁ ∝ √(EIρA) — length to the second power, so longer beams go floppy fast, and the end conditions (cantilever, simply-supported, free-free) change the modes and frequencies wholesale. Diving boards, wings, bridges, and xylophone bars are all family of this one relation. The practical work is unchanged: find the modes' shapes and frequencies, and keep any driving force away from all of them.
Mechanical Vibrations
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